Saturday, November 24, 2012

Goldfinger- No, Mr. Bond, I Expect You To Dye

Goldfinger is the ultimate Bond film. Sean Connery, an ejector-seat laden Aston Martin, Alotta Fagina and Random Task Pussy Galore and Oddjob, it's all there and more. And unlike Skyfall, Goldfinger has a evil plot with some real ambition and a tolerable theme song. (Paul McCartney's Live and Let Die and Madonna's Die Another Day are the only Bond themes which should ever be heard outside a theater and then very, very rarely.) There are many potential topics from this movie, but today we will focus on the logistics of painting a woman to death without making a mess.

First of all, the idea that covering someone in paint will kill them is MtyhBusters certified busted. (Although it will cause Adam to break out in anal sex jokes.) Mystiques have worn nothing but paint through four X-Men movies and all have survived. Sports Illustrated has yet to kill any of the girls they paint. "Skin asphyxiation" simply does not exist because skin does not breathe. Heat stroke might be a problem if you went for a jog after a total body paint job and if the paint had some toxic properties, like a good old-fashioned lead base, you could be in danger of being poisoned, but your skin will continue to not breathe as well as it has always not breathed. For the rest of this post, we will assume that a good paint job is lethal and discuss how it could have happened.

Let's set the scene. James and his new fuck buddy and future corpse Jill are hanging out in a hotel room. James dares to insult The Beatles and is justifiably knocked unconscious by Oddjob (or possibly Alfred Hitchcock, we'll never know for sure) and when he wakes up he is alone with a naked Golden Girl (insert mental image of Bea Arthur here), the room is tidy without a stray drop of paint, the paint on Jill is completely dry and Jill is completely dead. That was some knock on the head because I am estimating that this murder is no less than a three hour job.

The logistics of this homicide get easier if she is killed elsewhere and the paint is dry before she is brought into the room, but dragging a super sexy, nude, golden body through a hotel lobby is likely to attract some attention, so she must have remained in the room.

The easiest method for a whole body paint job would be dipping into a bath of wet paint, but there is no way to pull that off in a hotel room. Spray paint would be quickest, but a quality sprayer is bulky and noisy equipment completely unsuitable for a covert killing in a crowded hotel and canned spray paint never seems to get a smooth, even coat and should not be used indoors. (You could kill someone.) It would also be difficult to get the level of neatness that Goldfinger demands. (He is very picky about the cleanliness of his murders.) Besides, a close-up of Jill's face shows what is clearly brushstrokes.

Bond makes no mention of any wounds or bruising on the victim. Nor did he mention sedation or poison. Only paint. So if we believe that, then for several hours while conscious and being murdered very slowly our victim did not cry out, break a lamp, throw paint, and patiently waited for several coats of paint to dry. A truly extraordinary level of cooperation that implies that Jill in fact wanted to die in the shiniest possible way. I will set aside the assisted suicide theory here and say at this point Oddjob probably injected her with a sedative that Bond was unaware of or chose not to mention. (Maybe Bond got a shot of it as well. Oddjob would be so embarrassed if he was caught gold handed in the middle of undressing and coloring another man's girl.)

As far as we know, Oddjob acted alone but that would have meant either hauling in all of his supplies (paint, brushes, painter's suits, gold panties and tarps) while also sneaking around and knocking out a super-spy or making another trip or two out to the car after rendering James and Jill unconscious. An extra man or two would certainly made the agonizingly slow murder easier and more enjoyable. Ya know, someone to have a beer with while waiting for the paint to dry.

So, now that we've got it all planed out it's just a matter of painting by murders. Step one: cover the bed and surrounding floor with tarps. Apply do not disturb sign to door knob. Put on painter's suits. Do not leave the tarp covered area or touch any uncovered surfaces or items until the murder is complete. Step two: undress the victim. Step three: lay her on the bed face down. Step four: Apply smooth, even brushstrokes across your victim's body remembering that every inch of her skin must be fully covered, so make sure to get the soles of her feet, armpits and butt-crack. Step five: wait one to two hours for the paint to thoroughly dry. Step six: turn over the victim and paint her front side. Again make sure to pay special attention to all the naughty bits. Step seven: wait one to two hours for the paint to dry. If you have done well, your victim should now be dead. If not, repeat steps three through seven. Step eight: lift body off tarp, fold tarp on bed and place in transport bag. Place victim back on bed and apply golden panties. Pose seductively but with all naughty bits covered. Step nine: Remove painter's suits and place in transport bag. Wash hands and brushes in sink making sure that all of the paint flushes down the drain. Fold up all remaining tarps and place them in the transport bag. Step ten: inspect the area for any additional clean-up necessary and perform said clean-up. Also verify that the victim is deceased. Step eleven: leave hotel without drawing any unnecessary attention.

Or you could just get a gun and shoot her.

Saturday, November 10, 2012

Skyfall- The Bond Villain Guidebook

For the first time in fifty years, James Bond has failed, bringing his total win-loss record to 22-1. However, it is worth noting that Silva, the villain in Skyfall, had the least ambitious goal in the history of the franchise. All he wanted was to kill M. That's it. No global domination, no controlling the global oil supply, no starting a nuclear war. Just one simple assassination. While assassinating the head of one of the world's premier spy agencies is a fairly lofty goal for a regular villain, to a Bond villain it is called step one. Next, Blofeld would replace her with a robot and turn all of MI6 into unwitting agents of SPECTRE. It's going the extra mile that separates the villains from the supervillains.

Rule number one in The Bond Villain Guidebook is that unnecessarily elaborate murder plots are bound to fail. (This rule may be restated as Scott's Razor: When you want someone dead, just grab a gun and shoot them.) Rule number two is do not reveal your evil plan. Rule number three is if you try to kill someone make sure they're dead before walking away. Rule number four is make your prison escape proof. All Bond villains violate at least two of these rules and it leads to their downfall. Silva defies all logic by creating the most insanely elaborate murder plot in movie history and it eventually (sorta) succeeds.

Part one of Silva brilliant plan involves stealing a list of every spy in the world. Not for its enormous economic value or an ideological "kill all spies" purpose. But because it's a really embarrassing thing to lose and it will get M in trouble with the higher ups. Eventually, it gets M dragged before a Parliamentary panel despite the fact that we are assured that the government wants to keep this quiet because this list shouldn't exist and they really don't want anyone knowing they lost it.

Part two begins while M is being chastised for the whole lost list thing. During which time, Silva hacks into MI6 and sets off a bomb in M's office making sure to check her calender first so that he won't disturb her busy day by blowing her up. (Hi, SAM.) That's right. Silva's entire purpose is to kill this woman and he plants a bomb in her highly secure office and intentionally sets it off when she's not there. This is where Scott Evil needed to intervene (at 1:50 in this video).

Anyway, his part two goal of move MI6 to the tunnels of London is accomplished and he begins part three of his plan, which is to get himself captured by Bond and brought to the shinny, new and very rapidly built MI6 HQ. Silva once again hacks into the MI6 mainframe to begin his escape which was "years in the planning." He also takes the opportunity here to reveal his evil plan. His escape involves repeated split second timing including dropping a subway train on Bond's head. (The London tube time tables would fill Mussolini with envy.)

Part four of Silva's plan takes place at M's Parliamentary hearing which we were told earlier wouldn't happen and is going on during Silva's escape. In this most brilliant portion of his plan, Silva gets some guys and some guns and breaks into another high security building to shoot M. Yes, years of planning to get them both in the same room in the most improbable fashion, theft of super top secret information from an intelligence agency, twice breaching physical and electronic security of and a daring escape from said intelligence agency (MI6 needs a serious security review.), and another breach of another secured facility all just to shoot someone in the face. And when the critical moment comes, Silva hesitates allowing M to escape.

Skyfall is a classic example of a Planning Paradox. Silva's plan is too intricate to work without detailed advanced planning but relies on too many intricate details to have planned in advance. You can't drop a train on someone's head as a witty retort without knowing exactly when the train will be there but the position of the train is unknowable in that detail. In a less extreme example, Silva is not in control of the hearing schedule or the exact time of his escape, but both must be simultaneous for his plan to work. Silva must either be a psychic with advanced knowledge of the future or a wizard conjuring whatever he needs for the next step of his plan.

From this point on, Silva goes improvisational. Improvisation which includes hiring a bunch of guys with guns and renting a helicopter with a kick-ass sound system. (Where does he get the funding?) Unsurprisingly, this more direct approach actually succeeds in killing M which just goes to show you that the simplest plans are usually the best.